PERANCANGAN MEJA RESEPSIONIS BERBASIS MATERIAL MARMER ONYX SEBAGAI ELEMEN ESTETIKA DAN IDENTITAS VISUAL INTERIOR
DOI:
https://doi.org/10.69714/jqby5p24Keywords:
reception desk, onyx marble, interior design, aesthetics, visual identityAbstract
A reception desk design plays a crucial role in shaping the first impression and visual identity of an interior space. This study aims to design an onyx marble reception desk that serves both functional and aesthetic purposes in a modern interior. Onyx marble was selected for its translucent characteristics and its capacity to produce distinctive visual effects when combined with lighting, thereby creating an elegant and exclusive ambiance. This study employs a qualitative design approach encompassing stages of needs identification, material study, form exploration, and design development. Analysis was conducted on the interrelationship between material, structure, and lighting to produce a harmonious design aligned with modern commercial interior concepts. The design outcomes demonstrate that the application of onyx marble in the reception desk effectively reinforces the visual identity of the space while significantly enhancing its aesthetic value. Furthermore, this design has the potential to serve as a focal point within the reception area and to support the formation of a professional and characterful spatial image
References
[1] N. Anggraini, "Peranan gaya desain interior dalam membentuk citra perusahaan," Jurnal Rekayasa Perencanaan, vol. 3, no. 1, 2006.
[2] M. Charis and Y. Christiaji, "LKP: Desain interior (dinding, atap, lantai) pada mobil listrik di Universitas Dinamika," Universitas Dinamika, 2022. [Online]. Available: https://repository.dinamika.ac.id/id/eprint/6056/
[3] R. F. Fajari, "Desain interior beauty and training center dengan gaya futuristik," REKAJIVA Jurnal Desain Interior, vol. 1, no. 3, pp. 33–40, 2023.
[4] M. R. Febrian and E. Widia, "Tinjauan desain interior bergaya art deco pada lobby lounge él Hotel Bandung," REKAJIVA Jurnal Desain Interior, vol. 3, no. 1, pp. 20–29, 2025.
[5] H. L. Hutahaean, I. M. J. Waisnawa, and N. L. K. R. Kerdiati, "Perancangan visualisasi desain interior proyek butik Ibu Ami dengan gaya modern," Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun, vol. 4, no. 1, pp. 68–78, 2024, doi: 10.59997/vastukara.v4i1.3465.
[6] M. A. Kamal, N. S. Chomal, and A. Koundal, "Exploring stone craft in contemporary interior design: Innovative applications and techniques," Architect Eng Sci, vol. 5, no. 3, 2024, doi: 10.32629/aes.v5i3.2413.
[7] Y. Oktafriana and B. A. RRZ, "Studi banding meja resepsionis pada Hotel Mercure di Kota Bandung," REKAJIVA Jurnal Desain Interior, vol. 2, no. 3, pp. 50–59, 2025.
[8] T. M. Raja, "Kajian aplikasi brand identity pada elemen desain interior Gourmet Café Petitenget," Jurnal Arsitektur ARCADE, vol. 4, no. 2, pp. 186–192, 2020.
[9] K. Stefania and S. S. Purnomo, "Pengaruh material, warna dan bentuk terhadap transformasi desain interior klasik tradisional menjadi klasik kontemporer," MOTEKAR: Jurnal Multidisiplin Teknologi dan Arsitektur, vol. 2, no. 2, pp. 736–743, 2024.
[10] M. Weinstein, Precious and Semi-Precious Stones. Read Books Ltd., 2013.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Jurnal Ilmiah Multidisiplin Ilmu
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
