ALUR TOKOH DAN PENOKOHAN LATAR NOVEL DAN FILM ANCIKA DIA YANG BERSAMAKU KAJIAN EKRANASI

Authors

  • Winda Waromah STKIP Darussalam Cilacap Author
  • Helmi Seftiani STKIP Darussalam Cilacap Author
  • Dwi Setiyawan STKIP Darussalam Cilacap Author

DOI:

https://doi.org/10.69714/7cpjd149

Keywords:

Ekranisasi, Novel, Film

Abstract

This research explores the process of ekranisasi the adaptation of literary works into cinematic form through a comparative analysis of the novel "Ancika Dia yang Bersamaku 1995" by Pidi Baiq and its 2024 film adaptation directed by Benni Setiawan. The study focuses on the transformation of intrinsic narrative elements, namely plot, characters and characterization, and setting. Employing a qualitative descriptive method and content analysis, this research examines the narrative shifts that occur during adaptation using the framework of ekranisasi, which includes three key aspects: reduction, addition, and modification. The findings indicate significant changes in character representation, scene construction, and setting transitions between the two mediums. While some elements from the novel were omitted or altered due to the constraints and demands of cinematic storytelling, other components were creatively added to enhance audience engagement. These transformations highlight the interpretive nature of film as a distinct artistic medium and emphasize the need to consider both the limitations and potentials of adaptation. The study contributes to comparative literature and film studies, offering critical insight into how narrative meaning is negotiated, restructured, and reimagined in the adaptation process within the Indonesian cultural context.

References

Ardiansyah, N., Chanafiah, Y., & Canrhas, A. (2020). Alih Wahana Novel Hujan Bulan Juni Karya Sapardi Djoko Damono ke Film HBJ Karya Reni Nurcahyo Hestu Saputra Kajian Ekranisasi. Jurnal Ilmiah KORPUS, 4 (3), 333–338.

Cartmell, D. (2020). "Adaptation and Fidelity: From Text to Screen." Journal of Adaptation in Film & Performance, 13 (2), 112-114.

Fadilla, S., Juned, S., & Nursyirwan. (2018). Ekranisasi Novel ke Film Surga Yang Tak Dirindukan 2 dengan Kajian Interteks. Widyaparwa, 46, 220–230.

Magfirah, Mahmudah, & Agussalim, A. A. J. (2021). The Transformation of the Dilan 1991 Novel by Pidi Baiq into the Dilan 1991 Film by Fajar Bustomi (A Study of Pamusuk Eneste’s Ecranization). Insight: Indonesian Journal of Social Studies and Humanities, 1 (1), 46–54.

Mukhtar. 2013. Metode penelitian deskriptif kualitatif. Jakarta: GP Press Group.

Nurgiyantoro, B. (2019). Teori Pengkajian Fiksi. Yogyakarta: Gajah Mada UniversityPress.

Pidi, Baiq. (2021). Ancika Dia Yang Bersamaku 1995. PT. Mizan Pustaka.

Susilowati, D. P., & Emzir, E. (2017). Agrasivitas tokoh dalam novel jazz, parfum, dan insiden karya seno gumira ajidarma (suatu kajian psikologi sastra). BAHTERA: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 16 (2), 106-123.

Wijayanti, L. M., Cahyono, B. E. H., & Irawati, L. (2020). Ekranisasi Novel Hanum & Rangga: Faith & The City. Indonesian Language Education and Literature, 6 (1), 93-103.

Zaidi, N. (2020). Kajian Ekranisasi Unsur Intrinsik dari Novel ke Film (Studi Novel dan Film Dakwah “Negeri 5 Menara”) [Thesis]. Universitas Islam Negeri Walisongo.

Downloads

Published

2025-09-11

How to Cite

ALUR TOKOH DAN PENOKOHAN LATAR NOVEL DAN FILM ANCIKA DIA YANG BERSAMAKU KAJIAN EKRANASI (Winda Waromah, Helmi Seftiani, & Dwi Setiyawan , Trans.). (2025). Jurnal Ilmiah Multidisiplin Ilmu, 2(5), 09-19. https://doi.org/10.69714/7cpjd149